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Photo frame sitting on a couch, showing a girl smiling
In this photovoice project, six young Bedouin women took photos that challenge stereotypes of Bedouin women as passive recipients of cultural heritage, instead, appearing as active agents shaping their own narratives. Their efforts represent not only a personal journey, but also, a social commentary on the roles and expectations of Bedouin women in a changing world.
Photovoice mentee Nagham Khalil (center) with Bedouin women coresearchers in Lebanon. Source: Nagham Khalil
Nagham received a grant from Ettijahat – Independent Culture to lead her first independent photovoice project, focusing on the cultural identity of young Bedouin women in Lebanon. This project has been deeply personal, shaped by her close collaboration with six young women who shared powerful stories about belonging, gender roles, identity and everyday resilience.
Hand holding a stamp and colorful beads
A random "found object" causes Dr. Lorenz to reflect on the power of photovoice to develop shared understandings and promote Democracy. “...I was cleaning out my beads as I prepared to move to Virginia. A small stamp had been hanging around, hidden among the random beads that somehow linger on my art table after I finish a necklace.”
Sanem Cerit holding her book "A Pinch of Awareness"
While interning with Photovoice Worldwide, Sanem facilitated a photovoice project with a young cancer patient in Turkey. This collaboration inspired her to share his story. We recently sat down with Sanem to talk about her vision and hopes for the book.
Printed photos spread out on the ground and participants sitting in a circle around them
PVWW educator Erica Belli had the privilege of using arts-based methods with child refugees traveling the perilous Balkan Route. She came away humbled by their openness, trust, creativity, and resilience.
Blurred lights
Using examples from her vast experience, photographer, filmmaker, and participatory visual media practitioner Ingrid Guyon prioritizes placing participants and their community at the centre of the photovoice process.
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